Guitarist Jay Nash and drummer Josh Day are The Contenders, and they have recently released their debut EP. It’s a fantastic collection of original Americana songs with strong, evocative lyrics, that are set to tunes that are both soulful and … Continue reading →
On November 13th I had the pleasure of seeing Rosanne Cash at the Sanders Theater in Cambridge. The Sanders is a great venue for a concert. The acoustics are wonderful, and nearly every seat has a decent view of the … Continue reading →
National Throat, Will Dailey’s 4th album, will be released to the general public soon, but two of the songs from it, “Sunken Ship” & “Castle of Pretending” are already available for free on NoiseTrade as part of on a 20 … Continue reading →
I’m watching the DVD of the “A Conspiracy of Hope” Concert in Giant’s Stadium in 1986. The all-day concert was the last in a ten-day series to raise money for and awareness of the work done by Amnesty International, and it featured folk acts Joan Baez and Peter, Paul, and Mary; Jazz artists artists like Mary Joni Mitchell, the Neville Brothers and Miles Davis; Latin and World Music stars like Ruben Blades, Carlos Santana and Fela Kuti; and some of the biggest artists of the day like Lou Reed, U2 and the Police. One of the highlights for me is Peter Gabriel’s performance of “Biko”, an powerful song that tells the story of a South African anti-apartheid activist who died in detention in 1977.
St.Paul de Vence were looking for fan support to make a new album, I was on board, right away. Getting involved in crowdsourcing projects makes me feel like a bit of a producer, and I like the feeling of making music happen. Backers often get the music before anyone else, but if that’s not enough, you can get additional perks. In the case of St. Paul de Vence, I also just really want them to make an album as soon as possible. I wrote of my appreciation for their self-title debut in a previous post. It was an interesting, unique project with a distinctive sound.
The campaign ends Sunday Dec 22, 9:00pm EST, so act now!
The St. Paul de Vence Kickstarter Campaign is about to enter it’s last week, so if you want to get in on it, you need to do it soon. Earlier this week I interviewed band leader Benjamin Doerr about the plans for the new album. Find out what he had to say and watch a St. Paul de Vence performance below. Continue reading →
I’d only discovered his music a few weeks ago, when I read a short blurb about the live and unplugged remake of his 2011 album Record: Breakup. I didn’t know who he was, so I certainly wasn’t aware of the original, electric, studio version of Record:Breakup, but something about the blurb intrigued me. I remember jotting down the link on my phone, and finding it later that night, I was blown away. Continue reading →
On Friday at Rockwood Music Hall Delcan Bennet played a new single, “Father Christmas Knows,” that comes from the perspective of the black sheep of the family, the one too often left out of the celebrations. The song has bells and is dark, but optimistic at the same time.
Now I have to admit, I have warm and fuzzy feelings toward Christmas, and I like Christmas music, especially the traditional stuff. Continue reading →
Boston-based independent recording artist Will Dailey‘s advice to aspiring singer-songwriters is to seek out experiences that you can call on in your work, and “listen, not just to music, but to everything around you.” It seems to have worked for him. He grew up surrounded by music from across the spectrum from Classical to Folk and says it all left an imprint. He exercises the the songwriter’s prerogative to call on whatever styles of influences seem appropriate for the song. The result is songs that are rich and complex, gathered into albums that are varied and full of surprises, refusing to be constrained by the conventions of a narrow style of genre.
Will Dailey and Bleu duet during the last show on the PledgeMusic Tour
A hard working and prolific artist, Dailey has done well for himself since his first self-produced release in 2004, GoodbyeRedBullet, in spite of being repeatedly knocked around by the vicissitudes of a recording industry struggling to come to terms with the digital age. He’s released 4 albums to date, 5 if you count Torrent Volume 1 and 2 separately. Collectively they reveal a songwriter with mastery over a wide variety of styles, and an interest in exploring a wide musical pallet. And while each album has it’s own distinctive feel, each is also a a musical buffet of sorts, with varying musical styles juxtaposed and hidden gems to discover. Continue reading →
Any Minute Now is a new EP from Nashville-based singer-songwriter Dean Fields due to arrive… wait for it…. As much as I’d love to type “any minute now” at this point, there is a release date and it’s just days away, Tuesday August 13. The EP follows his 2011 EPUnder A Searchlight Moon, a clever and wildly romantic selection of tunes that Fields wrote himself. On this collection all but one of the tracks were co-written with other artists, yet they are tracks that he felt strongly invested, and that he felt spoke for him as an artist. It was a big change for an songwriter who had always worked alone. It may seem odd to follow up an EP with another EP, and in fact, he had planned a full length album. But a confluence of life circumstances and aesthetic considerations led to the decision to release this collection of songs now, saving the others for a later release. The songs seemed to belong together, and they were ready for release.
I learned about all of this and more in an August 1, 2013 interview with Fields in the Stratton Student Center at MIT, in the midst of a series of concerts in Cambridge, Boston and environs. Now based in Nashville, he grew up in Mechanicsville, VA, just outside of my hometown of Richmond, VA. I’ve been listening to his music for a while, but had not seen him perform. We talked the morning of his show at that institution of the Cambridge music scene, Club Passim. Of course the main topic of conversation was the new record Any Minute Now. Continue reading →
When I asked Tim Barry how he would classify the style of music he plays, he told me, “I just say it’s Rock & Roll with an acoustic guitar.” I’ll buy that. I know that his solo set during the show at the Middle East Downstairs on Sunday, July 21st reminded me of what rock and roll is really about as much or more than did any of the sets by artists with full bands and electric instruments. He had the nervous energy and desire to please that an aspiring artist might bring to an important audition, yet he was confident and a consummate performer. He established a rapport with the audience that made it seem like he leading a sing along with a bunch of friends at a pub. This was especially true when he took the microphone stand from the stage and put in on the floor in front so he could sing in the midst of the crowd. This was a guy who was working his ass off to put on a great show, but having a great time at it. He told stories and philosophized, but mostly he played his heart out, and the crowd ate it up.
As he recounted in the post Musicians Egos and…, he had been largely responsible for bringing the show together, and several acts expressed their appreciation to “nice guy” Tim, either from the stage of when I talked to them later. It was a Sunday night show that certainly didn’t feel like it was happening on a Sunday night! I’ll have more to say about the other acts in later posts, but for now let me tell you about Tim Barry, and incredibly exciting artist I had the good fortune to interview on June 17 by phone from his home in Richmond, four days before the show in Cambridge.